Date: Fri 03-Jul-1998
Date: Fri 03-Jul-1998
Publication: Bee
Author: SUZANN
Quick Words:
Dan-Cruson-Mexico
Full Text:
A Local Historian Turns His Eye To Mexico
(with cuts)
BY SUZANNA NYBERG
Today, Mexico's Aztec and Mayan civilizations are better known, less
enigmatic, thanks to both modern archeaological methods and the zeal of
historians such as Newtown's Dan Cruson.
A teacher at Joel Barlow High School in Easton, he has taken a group of
students to tour archaeological excavations and museums of restored ruins in
both central Mexico and its highlands. Mr Cruson recently presented his work
to interested listeners at the Cyrenius Booth Library as part of the libraries
travel lecture series.
Many years ago, when National Geographic ran a picture of a plump maiden,
blindfolded and hands tied, on its cover, Mr Cruson became intrigued with the
practice of human sacrifice in ancient Mexican culture. It was disappointing
for him to discover that the renowned magazine had erred. "Most of those
sacrificed by the bloodthirsty Aztecs and Mayas were middle-aged men," he
said.
Mr Cruson and his young friends ascended the ancient Mexican pyramids,
sometimes pulling themselves up with chains, to view the solemn grandeur of
the landscape and the sacred spaces where Aztec and Mayan priests performed
their rituals. Although superficially similar to the Egyptian pyramids,
Mexican monuments were topped with temples and only occasionally contained
tombs. "The Great Pyramid of Khufu has a broad base like the Pyramid of the
Sun," Mr Cruson said. "But they are entirely different. The pyramids at Giza
rise to a point while Mexican ones are truncated."
Aztec gods most liked blood and beating hearts. To satisfy them, their priests
would ceremoniously bend the victim back over a sacrificial stone, exposing
the sternum. The victim did not shriek, Mr Cruson explained, he could utter no
despairing cries for the knife plunged in the exposed diaphragm effectively
silenced him. "Hence, the phrase silent sacrifice," Mr Cruson said. As the
victim lay in mute agony, the priest plucked out the palpitating heart, and
offered it, still throbbing, to the gods. Then, he chucked the body down the
temple walls.
This passion for blood was so avaricious that, shortly before Cortez and his
Spanish army arrived in 1520, 10,000 people writhed at the Temple of the God
of War, approximately one every four minutes, for four days, under this most
ingenious of tortures. "This was the Grand Sacrifice," Mr Cruson said. "The
temples were saturated, caked with blood; body parts were everywhere." The
bloodshed sickened even the Spaniards, who were notorious for their own
barbaric practices.
Sacrifice threatened every surrounding Indian tribe, and these tribes welcomed
the Spaniards as saviors; were it not, Mr Cruson suggests, for the tribes'
collaboration with Cortez, Montezuma, the last Aztec king, and his people may
have survived.
Today, Mexico of old and Mexico of new lie side by side. As the Spanish
destroyed, they also created, Mr Cruson observed, and one layer of culture
settled over another. Today's Mexico City lies in the region which attracted
the attention of the Aztecs when they were looking for a home. An imposing
cathedral stands to the right of the remains of Montezuma's palace in what was
Tenochtitlan while diagonal to both structures the capital building looms
tall. "Cortez leveled the Aztec city and built a new one," Mr Cruson said.
"Now archaeological crews wait at building sites to uncover the original."
Spain conquered the Aztecs, and then it was the Mayas' turn, as Cortez and his
army gradually pushed their way across the Yucatan peninsula to capture the
temple cities which Mr Cruson and his group toured. "Cortez penetrated the
land only briefly," Mr Cruson said. "It took 100 years to conquer the Maya."
But the Maya have not disappeared. Today Mayan heritage, an ethos of courage
and refusal to submit to the yoke of oppression, is carried on with the
Zappatistas, direct descendants of the Maya, who beleaguer the Mexican
government with open rebellion.
"In Northern Yucatan there is constant fighting of the government, which has
not been kind to Indians," Mr Cruson said.
Yet Mayan tradition, Mr Cruson noted, wasn't all fighting and sacrifice. Mayan
gods, too, had a lust for blood, and Mayan priests indulged in sacrifice, but
this was a culture with a rich intellectual life. "The Nunnery Quadrangle in
the Mayan city Uxmal may have been a primitive university," Mr Cruson said.
The Mayans made complicated calendrical calculations, and they created some of
the most beautiful art in the world. It is impossible to overlook the
decoration of the temples, the intricately carved glyphs and the limestone
blocks sculptured with images of ancient gods. Underground frescoed chambers
in the Street of the Dead at Teotihuacan in Central Mexico cover the walls
with dazzling colors and layers of symbolism as deep as any cathedral ceiling.
Art production was so copious that to this day, village women, in defiance of
the nation's antiquities laws, routinely dig up figurines and hawk them on the
roadside.
Most important, Mr Cruson reports, is that we are now in the realm of a
recorded history, not legend. The Mayans have supplied us with more than
pyramids, murals and shards of pottery. They have left records of events,
births and deaths of kings, the rise and fall of empires, in a glyph language.
They crafted obsidian, volcanic glass, into mirrors and razors, and their
trade was as advanced as any route in Europe, extending as far as the
southwestern United States and perhaps even crossing the seas and extending
into China.
"But this notion is controversial," Mr Cruson said. These were not small,
straggling tribes, he stressed, but mighty nations, with complex
administrative centers. Raised roads, sacbeobs, connected city to city.
The other side to their life included ball games, ones played on immense ball
courts where rubbery balls were kept in motion with the thighs and hips, never
the hands and feet. Still, even a game could become a blood sport. Often teams
that could not prove their superiority paid the ultimate price: Silent
Sacrifice.
Mexico is a land whose civilizations have never been neglected by scholars.
John Lloyd Stephens, the American attorney, and his British companion, the
illustrator, Frederick Catherwood, wrote about and drew Mayan culture
respectively in the 1840s. And Mr Cruson and his young students hope to return
next year.
