Date: Fri 13-Jun-1997
Date: Fri 13-Jun-1997
Publication: Bee
Author: SHANNO
Quick Words:
Stomp-Shubert-review-April
Full Text:
("Stomp" @Shubert review, 6/13/97)
A Lot Of Noise Over An Unconventional Show
(with photo)
By June April
NEW HAVEN - So what is "Stomp," the latest stage sensation to arrive at New
Haven's Shubert Theatre? "Stomp" is vibrantly unconventional.
It is a production that is fun. Lots of fun. It is spirited, unique, zippy and
creative. And it is still exciting on its second visit to the state ("Stomp"
made its Connecticut debut last summer, with a series of performances at the
Meadows Music Theatre in Hartford).
Running through June 15 at the Shubert, "Stomp" serves as a standard of what
can be done with "what's around" when combined with musical minds. Using
refuse (junk), the performers in the show make music.
They make rhythm, and they engender enthusiastic responses from the audience.
There are no spoken lines. Just looks and percussive music.
Starting with brooms, sweeping a dusty stage - which adds to the overall
just-picked-it-out-of-the-trash motif - the exaggerated sounds of sweeping
bristles on wood are augmented by the wooden ends of the broomstick to create
a contrasting drumming rhythm.
There are strong elements from many cultures on a rhythmic level, recalling
Latin flamenco and African heritages. Shows like the long-running "Blue Man
Tubes" has a similar zaniness, as did the tap dancing workers of "Tap Dogs."
The winner of numerous awards - including England's equivalent of the Tony
Awards, an Obie and Drama Desk in the United States - "Stomp" has successfully
been touring to sellout crowds not only in this country but also in Japan,
Australia, Chile, Brazil, Hawaii and Korea. There truly is a universality to
this show, which was created and directed by Luke Cresswell and Steve
McNicholas.
Children use rhythm sticks in primary grades; "Stomp" uses various sizes and
thicknesses of wooden poles for different sounds. The show also applies the
same theory to rubber hoses, barrels, garbage cans and lids, old coffee pots,
pans, saws, rulers, boxes, bags and bodies. All of these, and more, are the
instruments of "Stomp."
Sand and water are incorporated in comedic ways, as is dirt - best called
"dust." The performers' attire is best described as second hand raggish, with
great boots for their energetic dance/tap soundings. Great noises emanate
throughout the theatre.
As with the incomparable "Mummenschantz," audiences are drawn in by the
performers. Clapping, finger-snapping and being the recipients of thrown
newspaper (didn't know that could be a rhythmic item, too, did you?) tossed
over the footlights are part of what brings the audience to its collective
feet at the end of each evening. The show is over all too soon.
The cast is male and female, representing different cultures. And they are
young - you would have to be to do what they do, with the zest and exuberance
and ferver they bring to the show.
Tickets for "Stomp" run $18 to $32 each. Curtain is Friday at 8 pm; Saturday
at 5 and 9; Sunday at 2 and 7. Tickets can be purchased at the Shubert box
office or by calling Pro-Tix, 800/955-5566.
