Date: Fri 01-May-1998
Date: Fri 01-May-1998
Publication: Ant
Author: JUDYC
Quick Words:
ArthurJames
Full Text:
US Art Records Set At Arthur James
W/5 CUTS - EWM
By Rita Easton
DELRAY BEACH, FLA. -- An April 14 and 15 auction at Arthur James Galleries
featured the art collection and contents of the Palm Beach apartment of Mr and
Mrs Charles W. Steadman, and other Florida estate properties.
Charles Steadman was an attorney for a Washington, D.C., investment firm. The
sale drew heavy response, keeping eight telephone lines busy at times and
drawing international interest. A total of 611 lots brought a gross of
$730,000.
Starring as the top lot of the auction, an oil on canvas by Federico Del Campo
(Peruvian, Nineteenth-Twentieth Century), signed, inscribed "Venezia," and
dated 1912, 14Ã by 23Ã inches, realized $75,000, purchased by a private
collector. The underbidder was a well-known English dealer. The price was an
auction record for the US market, according to the gallery. A previous auction
in London five years ago brought $86,000 for a work by the artist, the record
worldwide.
An oil on canvas by Andre Hambourg (French, born 1909), depicting sailboats
with a lighthouse in the distance, garnered a strong $32,000, going to the
trade, and a Harold Clayton (English, 1898-1979) oil on canvas of a lush
floral arrangement on a table top, at $23,000, reached a United States auction
record, second to only one other, purchased privately.
"Paintings were the strongest element in the auction," said George Martin of
the gallery. "There has been a great improvement in the art market." He named
an Ernest Quost (French, 1844-1931) oil on canvas as an example. It was
hammered down at $20,000; it had been estimated at $7/10,000.
"That is an incredible price for his work. There were only two pieces selling
higher in the past ten years: one for $30,000 and one for $27,000, and they
were considerably larger paintings."
Several Picasso pottery pieces sold well, with a partially glazed faience
pitcher, 11 inches high, inscribed edition Picasso, #208-350 and R-139,
reaching $2,800, and six pieces of pottery, all plates, selling between $1,000
and $2,000. A Picasso lithograph, signed in pencil, #46/50, a typical fantasy
owl, was purchased at $5,500.
A Jean Dufy (French, 1880-1964) oil on canvas, depicting a Paris street scene
(est $12/16,000) achieved $19,000; a Michele Cascella (Italian, 1892-1989) oil
on canvas of a vase of flowers, signed, rang up $8,000, purchased by a dealer;
and a Constantine Kluge (French, born 1912) oil on canvas, signed, depicting a
city street, made $7,500.
Impressively scaled at 32« inches high, a fine pair of French glazed pottery
lions, which had been estimated at $3/5,000, garnered $14,000.
"I think the reason [for the unexpectedly high price] was that everyone
bidding was taking a chance that they might be more than what we thought they
were, because they were mounted on a concrete base so that you really couldn't
see the marking. They were definitely French. They were really wonderful."
A pair of Louis XVI style gilt bronze and cut glass four-light girandoles,
first quarter of the Nineteenth Century, 24 inches high, realized $3,600; a
carved marble sculpture of a woman, by Hippolyte Francois Moreau (French,
1892-1989), signed, 25¬ inches high, was purchased at $4,250; a Nineteenth
Century Italian Rococo painted marble top cabinet went at $5,500; and a set of
12 Queen Anne style walnut dining chairs with slip seats reached $7,500.
A pair of Louis XV style walnut settees with fine floral upholstery was a good
buy at $1,200; a Nineteenth Century Continental fruitwood marquetry inlaid
cabinet with marble top sold at $6,000; a four-piece Tiffany coffee service
achieved $6,750; and a pair of 1860 sterling silver compotes brought $3,200.
Noting once again that the art market is on the rise, Martin commented, "It's
going to be interesting to see what will happen in May at the New York
Twentieth Century art auctions, and where the market will go after that."
Prices quoted do not reflect a required 12 percent premium.
