Date: Fri 20-Feb-1998
Date: Fri 20-Feb-1998
Publication: Bee
Author: SHANNO
Quick Words:
Suzuki-Lafreniere-Malyszka
Full Text:
A Sad Goodbye: Newtown Remembers Japan's Pied Piper
(with cuts)
BY SHANNON HICKS
Helen Malyszka can remember the exact moment she learned of the death of Dr
Shinichi Suzuki.
"It was a Monday morning, and I was at the school," said the co-owner of
Newtown's Suzuki Talent School. "One of the mothers had come in with her son,
and she mentioned she had heard he died during the weekend.
"I was stunned. I hadn't heard the news. I just stood there, with tears coming
out of my eyes," said Mrs Malyszka, who also teaches at the school/studio
space on lower Church Hill Road. "The students were looking at me, wondering
why I was so upset, and I had to explain to them how much this man meant to
me." Helen's son, Paul, has been studying piano under the Suzuki Method for 14
years. Next year he will be starting college, with plans to study music
education.
Dr Suzuki died in January at the age of 99. His friends and followers, even
critics, had long ago dubbed him "Japan's Pied Piper." On February 6, the
Suzuki Talent School presented a recital at the Alexandria Room of Edmond Town
Hall. The performance was dedicated to the memory of Dr Suzuki, and there have
been candles and flowers at the school honoring the late teacher.
A Huge Misconception
During the 1950s, Shinichi Suzuki began putting a technique of teaching very
young children how to play musical instruments into practice. Dr Suzuki, a
classically trained musician, began realizing that young children were able to
pick up foreign languages simply by being exposed to them. Exposure creates
comfort, Dr Suzuki found. He discovered this idea worked just as well with a
language of another kind: the language of music.
Since that time, millions of children have learned how to play music following
the Suzuki Method. Dr Suzuki developed the phrase, "learning by mother tongue"
-- learning something by being around it, becoming familiar with it.
This year marks the 21st anniversary of the Suzuki Talent School. The local
school was started in 1977 by Jeanne Luedka. Andy Lafreniere, a classical
guitarist who graduated from UHartford's Hartt School of Music, began teacher
training with Ms Luedka in 1982. He began teaching at Suzuki that fall.
Helen Malyszka became involved with the school initially on the parental
basis. In 1983, she was looking for something for her son to begin, and she
discovered Suzuki Talent.
A singer and 12-string guitar player, she eventually studied and also began
teaching at the school. In 1987, Jeanne Luedka sold the school to Mrs Malyszka
and Mr Lafreniere.
Parents play a huge role in the teachings of the Suzuki Method: they sit down
with the instructors before their children even begin lessons to discuss Dr
Suzuki's philosophies, and they commit to working closely with their children
away from the studio. This means children are encouraged to practice at home,
and parents must provide not only the incentive to get their children to
practice, but also the encouragement.
"You can take your child to a piano lesson, or you can stand over their
shoulder to make sure they are practicing at home," Mr Lafreniere said, "but
if you treat lessons as just something else to do in the middle of a day, or
you don't smile while they are practicing, kids pick up on that. Kids pick up
on every emotion an adult has."
"Children process things at their own rates," says Mr Lafreniere. "They also
absorb what's in their own environment. Every action and emotion is reacted
to. All the things we do, kids react to them."
In approaching music, the Suzuki Method has its teachers encourage children to
listen to music. Children are not forced to go to instruments, but become
curious about them. Curiosity then leads to wanting to learn how to use them,
Dr Suzuki taught. And he was right. For decades, children have been learning
by following such a simple, clear-headed way of thinking.
"All children really do love music," said Mr Lafreniere, "but we kind of turn
them off by forcing instruction onto them."
Not only do children love to learn, but it is also important to remember that
every child moves at his or her own pace. Children of a young age usually have
shorter attention spans than older children or even some adults, and teachers
must recognize this. Suzuki teachers give instruction only while a student is
focused on music. Once attention shifts, a lesson is over.
One of the biggest misconceptions surrounding The Suzuki Method is how
children approach music in the first place. There has always been a rumor that
Suzuki children can perform , but they can't read sheet music.
"That's one of the biggest misconceptions -- I've been through that," Mrs
Malyszka said this week. "Suzuki students do read, definitely. That's the big
thing that gets to me about Suzuki."
Suzuki students start with skills, Mr Lafreniere explained. The youngest
students -- children begin classes called "Pre-Suzuki" at the age of 2« --
focus on techniques, which include producing good sounds, good posture, and
good finger positions. After accomplishing these basics, Mr Lafreniere says,
then students learn to focus on reading. This way, their basic skills are set
up and their reading skills emerge.
"Suzuki students end up reading, sometimes even better than non-Suzuki
students," he said.
Andy and Helen went to a Suzuki convention in Chicago in 1988, along with
Jeanne Luedka. It was there they first met Dr Suzuki. "He really was this cute
little man, and he had this charisma ," Andy recalled. "Kids just clamored to
be around him."
A few years later, Helen traveled to Scotland with her son, and they again met
Dr Suzuki.
"We would just like to thank Dr Suzuki for these methods," Helen said.
"[Dr Suzuki] changed the perception of what people felt children are capable
of," said Andy. "He really raised the bar. He felt we short-changed what we
think children can do.
"I can't imagine teaching any other way now, especially after being
classically trained," he added.
