Date: Fri 20-Oct-1995
Date: Fri 20-Oct-1995
Publication: Bee
Author: SHANNO
Illustration: C
Location: A-13
Quick Words:
Playing-Net-Bullock-Internet
Full Text:
Now Playing-
Don't Get Caught In "The Net"
By Trey Paul Alexander III
Are you ready for the brave new world that is upon us, a world of e-mail,
interactivity, on-line services and the Internet? I'm not, and I am even less
ready for its invasion into popular fiction. Thus, I was less than thrilled
with the onslaught of cyber flicks that occurred this year, from Johnny
Mnemonic to Hackers to Virtuosity . Another member of this techno genre, The
Net , arrives at the Edmond Town Hall Theatre on October 20, but I'm afraid
even super-hot actress Sandra Bullock can't save this mediocre, though
moderately entertaining, film.
Bullock stars as Angela Bennett, a computer geek - albeit an attractive one -
who turns down dating offers to stay at home, order pizza with just a few
clicks of a mouse, and converse with fellow cyber-junkies in computer chat
rooms. (If all these terms sound like Greek to you, then think twice about
getting caught up in The Net .)
Angela's job involves troubleshooting for various software problems and
detecting the viruses that plague new programs. Just before heading out on
vacation, her boss piques her interest with the discovery of a crafty program
prototype that provides access to top secret places. Faster than "The X-Files"
churns out conspiracy theories, Angela finds her knowledge of this prototype
puts her in extreme, life-threatening danger.
The movie then evolves into a variation on The Fugitive . Angela becomes a
heroine on the lam when the shady no-goodniks behind the nefarious program
begin to eradicate her identity from existence. Unable to trust anyone,
particularly the cops, who believe her to be a known felon named Ruth Marx,
Angela begins a frantic search for the mysterious people responsible for her
predicament.
The theory that one's identity could so easily be wiped out from memory is, in
theory, a frightening premise. If you want to see it effectively carried out,
watch the intriguing (though little seen) television show "Nowhere Man," where
paranoia and surrealism reign. The Net , however, fails to generate such
nerve-rattling tension. It is too grounded, and rarely succeeds in making
banal material - such as endless shots of fingers frantically pecking away at
keyboards - interesting.
This is not to say such matters can't be made interesting. Just consider the
last Harrison Ford film, Clear and Present Danger . That motion picture
featured an incredibly tense scene centered around a character's attempt to
print out information before a rival deleted a pertinent file. On paper it's
boring, but when done right, it sparkles on screen. It's all in the execution,
but unfortunately director Irwin Winkler hasn't crafted The Net into such a
picture.
Another reason for the lack of true tension is the film's sparse character
development. It is only by Bullock's sheer likability that viewers care about
Angela at all. The script tosses in a few distinguishing details about the
protagonist - Angela once had an affair with her therapist (Dennis Miller),
and she has a mother that suffers from Alzheimer's disease. When Angela
finally turns to her former lover for help, the moments don't quite work.
Despite the talents of both Bullock and Miller, they have little chemistry,
and the screenwriters give them little with which to work.
The Net , rated PG-13 for profanity, mild violence and intensity, is not a
complete failure. It serves as a decent, two-hour distraction. But it fails to
live up to its potential because it is an amalgam of several fairly recent
films, all of which carried out their treatments better, particularly Sneakers
, which shares a similar theme about a sinister cyber device which could shake
the foundations of the western world if put in the wrong hands.
