Date: Fri 25-Dec-1998
Date: Fri 25-Dec-1998
Publication: Bee
Author: SHANNO
Quick Words:
Aldrich-Here-Philbrick
Full Text:
Look Here: Installation Art That's Fun
(with photos)
BY SHANNON HICKS
RIDGEFIELD -- There is a fully-equipped child-size submarine sitting on the
lawn outside the main entrance to the Aldrich Museum of Contemporary Art. The
three-ton vessel is just the right size for a child.
It also happens to be correct in scale for the vehicle's creator, the
Ridgefield sculptor David Gelfman. As a child, Mr Gelfman was told he could
not climb on sculpture he found in a public sculpture garden, and so he
answered that admonition by building sculpture he could play with as an adult.
Hidden within the pines of the museum's sculpture garden, in the lower field
that many visitors miss, an elegant evening dress seems to be standing on its
own.
The beaded dress is the design of the artist Justen Ladda, but it isn't a
dress any woman could ever wear. The "dress" is actually a sculpture
constructed of welded steel and acrylic chandelier beads.
Ten additional pieces of sculpture can be found at the museum for just two
more weeks. The presentation is the result of an invitation sent out to a
dozen installation artists to work their magic at the Aldrich.
The age of the original building itself, over two centuries, added to the
character of the site-specific installations that resulted in "Here: Artists'
Interventions At The Aldrich Museum." The exhibit continues in the gallery
spaces, lobby, sculpture gardens, and even bathrooms of the museum until
January 3.
There really was no common thread in theme between the artists in creating
"Here" except that each was given a space to work in, a space each artist was
allowed to alter in any way they felt necessary.
Each was singled out, the museum says, "because of his or her recent
innovative contribution to the genre of installation art." Lee Boronson, in
fact, was recently cited by ArtNews magazine as "one of the top ten latest and
most promising talents to hit the international scene," while museum director
Harry Philbrick calls Liza Lou, who has been on the "Today" show and featured
in People magazine, "equivalent of the art star right now in this show."
"No one knew what any of the others were doing, unless they happened to visit
the museum at the same time as another artist," said Heide Hendricks, the
museum's director of public affairs. Each artist chose their own space for
their installation, she added.
Most of the installations were created specifically for "Here," while a few
were re-sized creations of existing work.
"The installations tend to be fun, very playful," said Harry Philbrick. Mr
Philbrick, an artist himself, co-organized the show with Aldrich assistant
director Richard Klein. "Interpretations are really left up to the individual
viewers."
Indeed, there is no need for explanation when walking around a corner on an
upper floor of the museum and running into Liza Lou's very busy closet
installation. Ms Lou covered her sculpture of a kitchen closet, complete with
everything down to a plunger, cleaning supplies, and sporting goods, with
glass beads.
Amazingly, it reportedly took the artist only three months to complete her
sculpture. One look at the tools and buckets, the dish detergent and board
games -- the six shelves are absolutely overflowing with kitchen materials --
shows how labor intensive the piece was.
On another nearby wall is the wallpaper of Mary Esch, a Minneapolis-based
artist. Her green-backed paper, called "The Hyena Repeat," is at first
reminiscent of a Dr Seuss cartoon, but closer inspection refutes that
conception. The work is a little more complicated and adult.
In all, there are three exterior and nine interior installations. The
exhibition indeed covers almost every available space -- Ms Esch's work shows
up again on the walls of one of the museum's bathrooms. In addition to the
aforementioned artists, art is on view by the artists Roberley Bell, Judy Fox,
David Gelfman, Sharon Louden, David Nash, Michelle Segre, Susan Stockwell, and
Brian Tolle.
Thanks to a creativity constantly encouraged by the staff of the Ridgefield
museum, "Here" is a show meant to make light of the sometimes intimidating art
that can be found in the art world.
