Date: Fri 02-Jan-1998
Date: Fri 02-Jan-1998
Publication: Bee
Author: SHANNO
Quick Words:
St.-Ann-Clancy-Tuxedo-Junction
Full Text:
(rev Lisa St. Ann & Fabulous Band @Tuxedo Junction)
NOTE: THIS IS CORRECT DATE ARTICLE RAN/DISREGARD FILE WITH 1997 DATE
A Curiosity Only To Those Who Haven't Yet Heard Her
(with cut)
BY SHANNON HICKS
DANBURY -- When Lisa St. Ann took the stage Sunday night at Tuxedo Junction,
not many in the audience knew what to expect.
A singer-songwriter, St. Ann and her band were in Danbury to perform a set
prior to a show by the musician Jeffrey Gaines. St. Ann, who has two
independently-released albums under her belt, even joked from the stage, "It's
OK, you don't have to pretend you know who we are," about midway through her
set, when applause came at a smattering rate.
As St. Ann and her Fabulous Band continued performing, however, a
transformation began taking place, on both sides of the microphone.
Those who already knew about this fabulous singer-songwriter (and guitariSt.
and keyboardist) reveled in the performances of "If I Had It All," "Two
Runaways and A Rosary" and "Merry-Go-Round," among the dozen or so played.
From the floor, the applause was sincere and appreciative; the appreciation
around the room grew as the show continued.
On the stage, St. Ann and her band -- drummer and backing vocaliSt. John
Clancy, bassiSt. Paul Crowley, and guitariSt. Scott Fletcher -- began gaining
more speed and momentum than they started with, cranking out solidly-performed
songs with the tightness of any big name, old-age rock band whose members keep
playing because they don't know how to do anything else. St. Ann is hardly an
old age rocker, but she and her band sure know what they are doing.
The show was supporting the singer's second album, entitled Curiously Strong
(curious about the title? check out the lid on an Altoids Mints box...). While
her firSt. album featured songs written by St. Ann and/or her producer/writing
partner Andre Karkos, the new one also includes material co-penned by bandmate
Clancy.
St. Ann has been embraced by non-commercial AAA radio across the country; her
single "You're Sleeping" was selected by Acoustic Cafe as one of 1996's best.
She hates comparison ("Why does everyone always have to be compared to someone
else?" she said after the show), but admits it does help an audience
unfamiliar with an artiSt. to have some familiarity when juSt. learning about
a new performer.
That said, St. Ann has the look of Alanis and a bit of Crow, a little of the
sound of Tori and even Apple, the experience (at leaSt. from the sounds of her
writing) of Mitchell and Carole King, and a panache all her own. Her
songwriting is curiously catchy, without being preachy. Her talent comes on
strong, without being overbearing. She is an excellent find, and audiences who
have heard her to date have all counted themselves lucky to have found such a
gem.
The December 28 concert was the second Danbury appearance by St. Ann and her
band in less than a month. The group has managed to become favorites of
Borders Books store managers across the country. Because of this, the band has
played over 50 Borders stores in the paSt. six months, sometimes putting in a
Borders appearance the same morning or afternoon of a club concert.
St. Ann and her band had played at the new Borders store in Danbury on
December 13. It was a good showcase for the singer and her band, but toned
down from the full concerts -- plugged-in guitars, a full drum set for Clancy,
etc -- the band obviously enjoys more. On Sunday night, St. Ann got to belt
out her lyrics (while also playing songs on either her guitar or keyboard)
without worrying about being too loud for even the moSt. progressive book
store chain in the world, the amps were all on for the band, and Clancy was
performing on a full drum set with the enthusiasm of a toddler firSt.
discovering wooden spoons and tin pans.
What would have made the show a total smash would have been if the sound man
had kept his eye on the stage, instead of the Rangers game on the big screen
beside the stage the club didn't bother to turn off during the band's
performance. Said sound man did not capture Fletcher's guitar solo near the
end of the set, which was a shame.
Nevertheless, by the time Lisa St. Ann finished her performance, a few more
albums had been sold, a couple more names had been added to the band's mailing
list. And the entertainer had earned the richeSt. award in the business: a few
new fans.
