Date: Fri 20-Nov-1998
Date: Fri 20-Nov-1998
Publication: Bee
Author: DONNAM
Quick Words:
Gimmick-Wharf-Orlandersmith
Full Text:
(rev "The Gimmick" @Long Wharf Stage II)
Theatre Review-- Long Wharf's Moving "Gimmick"
By Julie Stern
NEW HAVEN -- Dael Orlandersmith's The Gimmick is the latest in a series of
one-woman shows done in the intimacy of Long Wharf's Stage II Theater.
From the Springhill Mine disaster of seasons past, to the performances of Anna
Deveare Smith, to Tyne Daly's mystery school last year, Long Wharf has done
very well with this genre. Ms Orlandersmith, who is both author and actor, is
no exception.
The only prop is a startlingly yellow couch against an ever changing backdrop
created by Allen Lee Hughes, an award-winning lighting designer.
Ms Orlandersmith is Alexis, a young woman studying literature in Paris. A
letter from her old mentor triggers a train of memories, resulting in the
story of her life: growing up in squalor and danger in central Harlem, near
Mount Morris Park, where you mustn't go at night.
It is the story of two children -- boon companions -- who nurture each other's
dreams of beauty and creation, and provide a mutual bulwark against a hard
world that includes abusive parents and mocking peers.
Alexis loves words. She plans to write. Jimmy, two years older, isn't good
with words but he is desperate to paint, willing himself to be another
Picasso, or a Modigliani -- his two favorites from the books Alexis brings him
from the library.
As Ms Orlandersmith tells the story she becomes all the myriad voices of
memory, beginning with childish, ebullient ten-year-old Jimmy; his viciously
cruel father; Alexis' alcoholic mother; children on the street; the proud,
determined librarian who pushes her to succeed; and the junkies and whores who
encroach on the children's world.
There is violence, betrayal and death in the story. But there is also the
ebullient dream of children grasping for the light of the ages.
Dael Orlandersmith is a woman of many talents. The Gimmick is gripping,
entertaining, and ultimately deeply moving.
