Date: Fri 22-Dec-1995
Date: Fri 22-Dec-1995
Publication: Bee
Author: SHANNO
Illustration: C
Location: A-16
Quick Words:
Denial-theatre-review-Shubert
Full Text:
(rev of Sagal's "Denial," Long Wharf, 12/22/95)
Theatre Review-
Sagal's Drama Denies More Questions Than It Answers
(with photo)
By Julie Stern
NEW HAVEN - Quick: Why is it California has the greatest number of lawyers per
capita in the US, while New Jersey has the greatest number of toxic waste
dumps?
Answer: Because New Jersey had first choice!
I love a good lawyer joke, and a number of them are told in Peter Sagal's
disturbing drama, Denial , as part of the bantering friendship between
Stephanie (Starla Benford), the legal secretary, and attorney Abigail Gersten
(Bonnie Franklin), her employer-mentor. The jokes are also a form of gallows
humor, a response to the mounting tension in the office when Abby becomes
increasingly embroiled in a most unpopular lawsuit.
As a pro bono assignment for the ACLU, Gersten has agreed to defend a nutcase:
Professor (of mechanical engineering) Bernard Cooper is a right-wing fanatic
whose apparent mission in life is to spread his "discovery" that the Holocaust
was a hoax, perpetrated by liars who simply wanted a chance to disappear by
assuming new identities. Six million Jews were not killed, he insists, they
merely emigrated to New York, where nobody would notice them among so many
others.
Because a secret informant has told the government there is a direct
connection between Cooper's writings and a series of hate crimes, the justice
department raids Cooper's house and seizes his membership lists and files.
Cooper wants Gersten to defend his claim that this is a clear violation of his
Constitutional right to free speech.
Adam Ryberg, a young federal prosecutor, reproaches Abby for agreeing to take
the case. He and she are both Jewish themselves, and it amounts to a sin
against the victims for her to participate in this attempt to deny history.
Furthermore, by defending Cooper she incurs responsibility for future hate
crimes carried out by his followers.
Abby stands firm. However repulsive her client is, to her this is a matter of
principle: Justice can only be based on the impartial rule of law, and the law
is clear. In defending the neo-Nazi, she will be serving a higher ideal. Free
speech only has meaning when it is free for all, including those with
outrageous opinions, and as a lawyer it is her place to protect it against
encroachment.
The real issue here is the very institution of law in a society that is less
than civil. The premise of free speech is that people engage in rational
discourse as part of a genuine commitment to sort out the truth. Put to the
test of logic, Cooper's harebrained theories would be recognized as nonsense.
However, Cooper is not a rational thinker, and however pedantic and steeped in
alleged references his pronouncements seem to be, his supposed interest in
uncovering the historical truth about the Holocaust is merely a pretext for
triggering aggressive fury in his target audience - young, poorly educated and
economically marginal white males with stormtrooper power fantasies.
The implication the Holocaust was a hoax becomes an invitation to indulge in
demonstrations of hatred, and Cooper's desire to orchestrate such frenzies is
part of his own paranoid delusions of grandeur.
In a remarkable performance by Max Wright, Cooper is clever about masking his
ultimate intentions and cloaking his doomsday visions in the persona of the
mild-mannered eccentric, but he allows flashes of the truth to appear. And in
the flood of tabloid and talk show publicity that surrounds any controversial
trial in this country, he is gaining just the national audience he has always
craved.
Attorney Gersten is still committed to her case position, but as the media
event snowballs, and she grows increasingly beleagued, she is forced to
question the relevance of civil liberties law and the inherent value of her
own principles.
The manipulation of mob anger for the aggrandizement of a leader is a
recognized political technique that was made famous by the Nazis but which has
been used by many other aspiring psychopaths. Mindless rage is a visceral
reaction that can be stirred by a shrewd and vitriolic orator. Once such
emotion is inflamed it is easy to turn it into an instrumental force.
From Oklahoma City to Jerusalem, 125th Street in New York to Fort Bragg, North
Carolina, the link between hate speech and violent crime has been made
abundantly clear in the news headlines this year alone.
With our airwaves polluted by hate radio and the Internet opening new
possibilities for the dissemination of malevolence, Sagal's play raises more
questions than it answers about the Constitutional rights so sacred to our
national identity, and the crisis of a legal system that has become the butt
of so many jokes and the object of disillusion and cynicism.
