Date: Fri 27-Jun-1997
Date: Fri 27-Jun-1997
Publication: Bee
Author: SHANNO
Quick Words:
Helen-Yale-Cabaret-theatre
Full Text:
(rev "Helen!" @Yale Summer Cabaret, 6/27/97)
Theatre Review-
For Food & Flippers, `Helen' Is Golden; Otherwise, A Flop
(with photo)
BY JUNE APRIL
NEW HAVEN - One of the draws of Yale Summer Cabaret Theatre is the fare. Chef
Kristyn LaPlante seems to be better than ever, offering an interesting menu,
preparing tasty food and having reasonable prices.
So even if the play doesn't quite make it, one still feels satisfied.
Opening YSC's 23rd season is Helen , a farcical production in the classic
tradition. Directed and adapted by Preston Lane, this serves as the former
artistic director's farewell offering.
Conceptually amusing, Helen tries hard to be entertaining. It only
occasionally succeeds.
Unfortunately, Mr Lane's usually richly creative mind seems occupied
elsewhere. Tired and trivial humor abound, and too many groaners push the
audience's patience. Spoiled as those of us are who have seen the wit and
wisdom in Mr Lane's past productions, this opening presentation is not up to
his usual standards.
The idea was to give a new, farcical and comic slant to the story of the love
between Paris and Helen of Troy. Based very, very loosely on the play written
by Euripides, this adaptation takes place in Cleveland-by-the-Lake and is
stuffed full of kielbasa jokes and polkas.
Costumes are minimal and (sometimes) "fitting," and the garish and bizarre
choices do fit with the characters, and with the nature of the play.
This reviewer would love to see Vivian Keh, who plays Athena, the King's
strange and manipulative kind of psychic sister, portray the lead in Rashamon
. Ms Keh is a classic beauty and shows great talents.
As the confused, maligned and unhappy "real" Helen, Adrienne Carter does what
best any actress can with an "ah-duh" type role. This is definitely not a play
for feminists to see.
Playing four different roles, Johnny Sparks is actually the highlight of the
evening. As the irate professor attempting to guide the play into the
direction of historical reality, or Helen's eunich, the old sailor, or the
King of Cleveland-by-the-Lake, Mr Sparks is outstanding. His rapid costume
changes are reminiscent of Irma Vep, and varying voices and accents set this
gentleman at a higher level than the play itself. One might consider going to
see Helen just to see him in action.
The wronged husband Menelaus, played to the hilt by Josh Grubb, delivers
one-liners like an old-time vaudevillian with a fine sense of timing. Walking
around in an inner tube and flippers is something of an accomplishment in
itself.
Even if Helen as a production is not.
( Helen continues until June 28. Call Yale Summer Cabaret, 432-1567, for
tickets, curtain times.)
