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Date: Fri 27-Sep-1996

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Date: Fri 27-Sep-1996

Publication: Bee

Author: SHANNO

Illustration: C

Location: A10

Quick Words:

TheatreWorks-Fall-Festival

Full Text:

(rev The Theoretical Tin Whistle Band @TheatreWorks, 9/27/96)

Theatre Review-

Fall Theatre Festival Offering Is Exciting

BY JULIE STERN

NEW MILFORD - Driving to New Milford TheatreWorks last Saturday evening to

catch a performance of the Theoretical Tin Whistle Band in concert, we

listened to a segment of Garrison Keillor's "Prairie Home Companion" on the

car radio, and it struck me how much I enjoy that show, not just for its humor

- the interminable Lake Woebegon narratives, and the goofy ads for

establishments like Bertha's Kitty Boutique - but even more so for the musical

sets by performers from all over the country. Most of it is by aspiring

amateurs, and frequently it is acoustic music - guitars, banjos and other

stringed instruments played without benefit of electronic amplification or

computerized synthesizers - so the harmony, the voices and the words are what

you get.

The concert/presentation is the second production of TheatreWorks' 1996 fall

festival of shows. Theoretical Tin Whistle performances continue through this

Saturday evening.

That's exactly what the Theoretical Tin Whistle is: Craig Tichy's five-person

group made up of people who, like himself, are involved in various local

theatre groups both as actors and technicians, but who also like to sing and

play. The band includes Newtown resident Susan Lang; Bruce Hanson and Leif

Smith, who are normally involved with the Danbury Theatre Company; and comic

actor Chris Chamberlin, who has appeared on just about every stage in the

area.

The concert harkens back to the golden age of folk music, i.e. the Sixties,

when it became so popular you could actually get rich on it, as Pete Seeger

and the Weavers, Peter, Paul and Mary, Joan Baez, Judy Collins, Harry

Belafonte, the Clancy Brothers and Bob Dylan all did, to name just a few.

Comprised of three forty-minute sets, the Theoretical Tin Whistle Band gig

draws on three separate types of folk music: protest ballads that make a

statement about some topical issue; songs noted for the charm of their melody

or harmony; and blues which reflect introspective personal sadness.

Thus, after the initial opener, "Uncle John's Band," Tichy pays homage to

singer-songwriter Phil Ochs, who was probably the best composer of protest

broadsides of his time, with a lesser-known student rebellion song, "I'm Gonna

Say It Now," followed by two songs dealing with issues of the Nineties, "Let's

Keep It Straight" (the military, that is) and "Going, Going Gone."

For music where the sound is more significant than the message, offerings

ranged from Irish melodies like "Wild Rover" to Stephen Foster's "Hard Times,"

sung by the group clustered around a piano.

There were comic pieces like "The Cat Came Back" and the Belafonte calypso,

"Man Smart, Woman Smarter," and above all there was my personal favorite, Bob

Dylan's "Tangled Up In Blue" as the penultimate number.

While this is clearly Tichy's band - and he performed many of the songs as

solos, I enjoyed it even more when the others got their turn as well,

particularly Bruce Hanson and Susan Lang. Mr Hanson's rendition of "City of

New Orleans" was riveting, and Ms Lang, who has a rich, lovely voice, reminded

me at times of Judy Collins, at others of Suzanne Vega, the latter in a piece

called "Mr Sellack," about the tribulations of an aspiring musician who must

work in a restaurant to pay the bills.

In the time-honored hootenanny spirit, the audience was invited to sing along

with many of the songs. Just in case they didn't remember them, the words were

included in the program. It was all very enjoyable and participatory; the kind

of thing we need to see more of. Good for Craig Tichy for having the energy to

get this group going.

TheatreWorks' Fall Theatre Festival continues with performances this weekend

by Theoretical Tin Whistle on Friday and Saturday, September 27-28, at 8 pm;

tickets are $12 each, $10 for students and seniors. The next, and final,

presentation of the fall festival will be Eric Bogosian's one-man play,

Pounding Nails in the Floor With My Forehead , October 4-13. Call 860/350-6863

for details.

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