Date: Fri 27-Sep-1996
Date: Fri 27-Sep-1996
Publication: Bee
Author: SHANNO
Illustration: C
Location: A10
Quick Words:
TheatreWorks-Fall-Festival
Full Text:
(rev The Theoretical Tin Whistle Band @TheatreWorks, 9/27/96)
Theatre Review-
Fall Theatre Festival Offering Is Exciting
BY JULIE STERN
NEW MILFORD - Driving to New Milford TheatreWorks last Saturday evening to
catch a performance of the Theoretical Tin Whistle Band in concert, we
listened to a segment of Garrison Keillor's "Prairie Home Companion" on the
car radio, and it struck me how much I enjoy that show, not just for its humor
- the interminable Lake Woebegon narratives, and the goofy ads for
establishments like Bertha's Kitty Boutique - but even more so for the musical
sets by performers from all over the country. Most of it is by aspiring
amateurs, and frequently it is acoustic music - guitars, banjos and other
stringed instruments played without benefit of electronic amplification or
computerized synthesizers - so the harmony, the voices and the words are what
you get.
The concert/presentation is the second production of TheatreWorks' 1996 fall
festival of shows. Theoretical Tin Whistle performances continue through this
Saturday evening.
That's exactly what the Theoretical Tin Whistle is: Craig Tichy's five-person
group made up of people who, like himself, are involved in various local
theatre groups both as actors and technicians, but who also like to sing and
play. The band includes Newtown resident Susan Lang; Bruce Hanson and Leif
Smith, who are normally involved with the Danbury Theatre Company; and comic
actor Chris Chamberlin, who has appeared on just about every stage in the
area.
The concert harkens back to the golden age of folk music, i.e. the Sixties,
when it became so popular you could actually get rich on it, as Pete Seeger
and the Weavers, Peter, Paul and Mary, Joan Baez, Judy Collins, Harry
Belafonte, the Clancy Brothers and Bob Dylan all did, to name just a few.
Comprised of three forty-minute sets, the Theoretical Tin Whistle Band gig
draws on three separate types of folk music: protest ballads that make a
statement about some topical issue; songs noted for the charm of their melody
or harmony; and blues which reflect introspective personal sadness.
Thus, after the initial opener, "Uncle John's Band," Tichy pays homage to
singer-songwriter Phil Ochs, who was probably the best composer of protest
broadsides of his time, with a lesser-known student rebellion song, "I'm Gonna
Say It Now," followed by two songs dealing with issues of the Nineties, "Let's
Keep It Straight" (the military, that is) and "Going, Going Gone."
For music where the sound is more significant than the message, offerings
ranged from Irish melodies like "Wild Rover" to Stephen Foster's "Hard Times,"
sung by the group clustered around a piano.
There were comic pieces like "The Cat Came Back" and the Belafonte calypso,
"Man Smart, Woman Smarter," and above all there was my personal favorite, Bob
Dylan's "Tangled Up In Blue" as the penultimate number.
While this is clearly Tichy's band - and he performed many of the songs as
solos, I enjoyed it even more when the others got their turn as well,
particularly Bruce Hanson and Susan Lang. Mr Hanson's rendition of "City of
New Orleans" was riveting, and Ms Lang, who has a rich, lovely voice, reminded
me at times of Judy Collins, at others of Suzanne Vega, the latter in a piece
called "Mr Sellack," about the tribulations of an aspiring musician who must
work in a restaurant to pay the bills.
In the time-honored hootenanny spirit, the audience was invited to sing along
with many of the songs. Just in case they didn't remember them, the words were
included in the program. It was all very enjoyable and participatory; the kind
of thing we need to see more of. Good for Craig Tichy for having the energy to
get this group going.
TheatreWorks' Fall Theatre Festival continues with performances this weekend
by Theoretical Tin Whistle on Friday and Saturday, September 27-28, at 8 pm;
tickets are $12 each, $10 for students and seniors. The next, and final,
presentation of the fall festival will be Eric Bogosian's one-man play,
Pounding Nails in the Floor With My Forehead , October 4-13. Call 860/350-6863
for details.
