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Date: Fri 30-Oct-1998

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Date: Fri 30-Oct-1998

Publication: Bee

Author: SHIRLE

Quick Words:

Philemon-theatre-Sherman

Full Text:

(rev "Philemon" @Sherman Players)

THEATRE REVIEW: A Short, Enjoyable History Lesson

(with cut)

By Julie Stern

SHERMAN -- "Try to remember..." a time when the Tom Jones/Harvey Schmidt

musical The Fantasticks wasn't running somewhere Off Broadway in New York

City. Now director Jocelyn Beard has taken on the challenge of staging a much

more rarely performed work by the same pair at the Sherman Playhouse:

Philemon.

Vastly different from Fantasticks, this show has more in common with works

like Godspell or Jesus Christ Superstar, the Sixties rock operas that used

contemporary music to update a passion play.

Set in the Roman city of Antioch in 287 AD at a time when Christians were

being persecuted as revolutionaries, Philemon , based on an actual historical

incident, deals with a third-rate actor-clown who agrees to work as a spy for

the local garrison commander by impersonating a charismatic Christian leader.

Cockian, the corrupt and totally amoral protagonist, is put into prison where

he pretends to be Philemon, the heroic Christian hero whom people in Antioch

have only heard about, but never met. The idea is he will make friends with

the other prisoners and get them to reveal the secret codes and chain of

command that holds the Christian underground together.

In exchange for doing this, Cockian will be given safe passage back to Rome,

and enough money to set him up in his own theater.

Perhaps you can guess the outcome.

There is a wealth of talent in the cast, both in the acting and singing. Peter

Frost as Cockian is bit reminiscent of Michael Douglas, in looks as well as

diction, and plays his part like the son of Spartacus should.

Steve Faiella is excellent as the jaded and cynical Marcus, the garrison

commander who hates being out in the stocks and needs to suppress this

Christian rebellion in order to earn a promotion. Catherine Moles as Cockian's

partner, and Heather McNeil as the vision of his long dead wife, also do a

fine job, as does the rest of the cast, all of whom are on stage all the time,

serving as a sort of classical chorus.

Jocelyn Beard's direction is faultless as well. The only problem I had was

with the music itself. I think that is what made the Fantasticks truly

memorable. Unfortunately, the score of Philemon is somewhat less than

inspired.

However, if you really like Godspell and Superstar you might enjoy this.

Certainly it makes for an interesting history lesson, and happily it isn't too

long.

(Performances continue at the Sherman Playhouse through November 7. Call

354-3622 for details.)

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