Date: Fri 27-Mar-1998
Date: Fri 27-Mar-1998
Publication: Ant
Author: AMYD
Quick Words:
Bernard
Full Text:
Frank H. Boos Gallery Emile Bernard Oil
By Rita Easton
BLOOMFIELD HILLS, MICH. -- Fine paintings, furniture, and decorative arts were
the subject of a three-session auction at Frank H. Boos Gallery on February
10-12.
Among the standing-room-only audience were 350 holding bidding numbers
competing for the 1,151 lots offered. The single instance of a departure from
fine home furnishings was the top lot, a 1994 Cadillac Sedan deVille, going at
$14,500.
A 34 by 46 inch oil on canvas after Emile Bernard (French, 1868-1941) reached
$11,000, selling to a dealer. The still life has had a recent history of
rising and falling appraisals.
"To give some background on that because it's an interesting story, the lot
had been in an Atlanta, Ga., estate, handled by a Michigan bank," said Frank
Boos. "It was appraised for $70,000, then sent to Sotheby's for auction. They
attempted to have it authenticated by a committee. The experts could not
authenticate it, saying it was worth about $1,000, and it was returned. The
estate presented it to us for auction, and we stated it was `after' Bernard,
with a $1,5/2,500 estimate. So at $11,000, plus 15 percent, someone - more
than one someone - thought it was right."
Earlier this year, a local resident purchased an oil on canvas at a nearby tag
sale for $100, which the seller deemed a fair price for the frame, altogether
discounting the painting. The buyer consigned the country scene, which
measured 16 by 24 inches, to Boos, who put a $3/5,000 estimate on the lot. The
painting, by Olive Parker Black (American, 1868-1948), sold at $6,750 to the
astonishment of the consignor.
An American Renaissance walnut and marble mounted three-piece bedroom set was
purchased by a private local collector at $8,000, the high estimate; a
117-piece set of Tiffany & Company sterling silver flatware in the "Audubon"
pattern, approximately 202 troy ounces, estimated at $5/7,000, surpassed the
estimate at $9,000; and an American Arts and Crafts copper and mica table
lamp, attributed to Dirk Van Erp, 14 inches, $8/12,000, brought $7,500.
Lithographs and a watercolor by Romare Bearden (American, 1914-1988) were
"very hot," according to Boos, with "The Lantern" bringing $2,000, and
"Carolina Morning" hammering down at $2,900, and "Louisiana Serenade" selling
at $3,300, all colored lithographs. The watercolor on paper by the same
artist, 19¬ by 26¬ inches, estimated at $6,5/7,500, reached $9,500.
A rare Steuben aurene vase was offered, unsigned by Steuben but signed by the
New York retailer, "Haviland & Co.," as opposed to factory signed. The 9« inch
high piece (est $3/5,000) brought $3,000. A Nineteenth Century Japanese helmet
and neck piece, 17 inches high, rang up $800; a Merry Makers tin lithograph
windup Mouse Band, manufactured by Marks, made in the early 1930s, achieved
$1,400; and a collection of perfume bottles ranged from $150 to $2,200, the
highest price realized for an example of Lalique. A collection of Russian
silver, gilt, cloisonne and enamel ranged from $650 for a spoon to $5,000 for
a Faberge cigarette case.
Prices quoted do not reflect a 15 percent premium.
