Date: Fri 06-Feb-1998
Date: Fri 06-Feb-1998
Publication: Bee
Author: DONNAM
Quick Words:
Miss-Evers'-Boys-Stamford
Full Text:
(rev "Miss Evers' Boys" @Stamford TheatreWorks_
A Test Of Ethical Strength, `Miss Evers' Depicts A Courageous Woman
(with cut)
By June April
STAMFORD -- For 14 years, The Tuskegee Institute studied the progress of
venereal disease in a largely black population of men. The issues of that
study, its morality and the human drama moved David Feldshuh to delve further
into the case.
His outcome, the play Miss Evers' Boys , is a moving exploration of a nurse
who is carrying out the orders of her superiors. Miss Evers realizes her work
is hurting, not helping, the men under her care. The story speaks loudly to
issues of ethics, trust, conscience and responsibility. It is timely, timeless
and a powerful experience.
The play reflects the meshing of science/medicine and creativity, both on the
stage and off. The playwright, Dr David Feldshuh, lives and works a dual life,
remaining deeply committed to medicine and drama. In 1982 he read a book about
the study by Jim Jones and it is through his play that Dr Feldshuh examines
ethical considerations: does the welfare of a few outweigh the needs of the
many, patient's rights, the Hippocratic oath, how scales balance research with
conscience. These thoughts were the impetus that motivated the creation of
this play.
Miss Evers' Boys , currently at Stamford TheatreWorks, is long, and it is a
little slow for the first act. Fortunately, the material is sufficiently
interesting to hold the audiences' attention. The tempo and the tension pick
up in the second act, bringing the play to a powerful conclusion.
Key elements to the story are the music and the dancing. Choreographer
Chiquita Ross Glover had the challenge of creating a dance the playwright had
made up, called "the Gille." One of the members of Miss Evers' Boys , Willie
Johnson (played by Spencer Barros), has a driving passion to be the winner of
all the local dance competitions so he and his group can leave their
poverty-ridden lives and go North to perform at the famous Cotton Club in New
York City. Their hope is the group's ticket to "freedom from want" and for a
life of dignity.
"This play is about people," Dr Feldshuh emphasized. In 1989 Miss Evers' Boys
won the New American Play Award and was the focus at the Sundance Institute
Playwriting Workshop. It has been performed at major theatres around the
country. HBO made it into a movie and Dr Feldshuh was hired to act as the
script consultant for the movie version of his play.
The common thread between the stage and screen is the love between Nurse Evers
and the men she tended to, and the decision-making that went into the study by
the doctors and the United States Government. The intimacy of the Stamford
theatre, and the deeper exploration of the relationship between Nurse Evers
and four men under her care, is emotionally different than the
made-for-television movie.
Catrina Ganey's performance as Miss Evers is very moving. Her pain and love,
by the end of the play, are truly believable.
The two doctors, one white and one black, who "directed" Nurse Evers, are
played by Richard Topol and Kim Sullivan, respectively. Both come across as
stiff and uneasy in their portrayals. Perhaps director Lorna Littleway chose
this characterization because the men on which the characters were based were
uncomfortable in their choices. "I wanted the audience to feel the immorality
of their choices," Dr Feldshuh explained, "but at the same time understand the
rationale of their actions."
Particularly sensitive performances by Craig Alan Edwards as Caleb Humphries,
Robert Hatcher as Ben Washington, and Eric Moreland as Hodman Bryan are a
pleasure to watch.
There are two interesting side comments to include. A former physician and
professor of ethics came up to this reviewer at the end of the play and
pointed out that a similar situation recently occurred in South Africa, where
women with HIV were not treated with drugs (known to help them), but were
instead studied for scientific purposes to see the effects of the disease.
Some of the moral issues here harken back to the Nuremberg Trials of World War
II.
February 1 was Dr Feldshuh's birthday. He not only attended the Sunday matinee
that afternoon at Stamford TheatreWorks, but was very happy to meet with cast
and audience members following the performance. The tall soft-spoken gentleman
is artistic director of the Center for Theatre Arts at Cornell University. A
loving parent to three sons and practicing emergency physician, David Feldshuh
stands as a living example of a caring, committed human being. His writing
personifies his character.
( Miss Evers' Boys continues through February 15. It may be especially
interesting to see it after viewing the movie to compare the two. Tickets may
be ordered by calling 359-4414. Prices range from $17 to $22 and there are
discounts for senior citizens, students and groups. The theatre is at 95
Atlantic Street, Stamford.)