Date: Fri 22-Sep-1995
Date: Fri 22-Sep-1995
Publication: Bee
Author: SHANNO
Illustration: C
Location: A-11
Quick Words:
Eroica-Trio-Nickrenz-Pena
Full Text:
Classical Music Views
The Eroica Trio At Fairfield High School
(with photo)
By Vadim Prokharov
FAIRFIELD - There is no sense in crying about your hair if your head has been
cut off, goes the saying.
If music programs have been taken away from public schools in the 80s (in some
cases as early as the 60s), why cry about the lack of interest among the
younger generations and the absence of younger audiences? The only solution to
have hair again is to grow a new head; it is amazing how quickly the human
spirit and activities are able to do it.
Just a few years back, the music programs in Fairfield public schools were
rapidly evaporating under severe budget cuts. But people in the schools did
not give up. In addition, new people came who both cared and could have things
done. And look, now Fairfield has 30 music teachers, and music is taken very
seriously on every level of the administrative ladder.
Fairfield High School, for example, has three orchestras: symphony (70
students), concert (45), and freshman (50); two choruses, four bands, jazz
ensembles, two classes of music theory and composition, an electronic
instruments lab and private instrumental lessons.
As the result of all these efforts, for the last few years the Fairfield High
School students have gone to Juilliard and Manhattan Schools of Music, Oberlin
Conservatory, and Eastman School of Music, among others. In 1994, 17 students
were accepted into the music programs of different colleges, and this academic
year, four students are attending the pre-college division of Juilliard.
So it is not surprising that it was Dorothy Straub, music coordinator of
Fairfield public schools and a member of the Advisory Council of the South
Shore Music Festival, who readily responded to the appeal of its president,
Marianne Liberatore, to organize an outreach program for the local schools.
Marianne Liberatore raised money so that musicians who perform for South Shore
could be paid for playing in the district's schools.
In May, pianist Mark Anderson performed at Weston High. In June, violinist
Jennifer Koh played at Fairfield High. This program climaxed recently with The
Eroica Piano Trio from New York playing at Fairfield Woods and Tomlinson
Middle Schools on Wednesday; New Canaan and Wilton Middle Schools on Friday.
Friday evening, they gave a recital at Pequot Library, and on Saturday
morning, a concert for children.
On Thursday, Erica Nickrenz (piano), Adela Pena (violin) and Sara
Sant-Ambrogio (cello) spent five hours at Fairfield High School. They played
and conducted two workshops for those students who participate in the school's
music programs and groups which are directed by music teachers Debby Graser,
Jim Papp, Dorothy Straub and Rodger Thulin. The Trio's open style of music
presentation and equally open way of conversing easily won the students'
attention, awakening their interest and making them their friends.
The members of the Trio are themselves friends. They have known each other
from their childhood, went to the same schools, and later attended Juilliard.
They started playing at a very early age and realized quite early, too, what
was their vocation.
In their playing and short remarks on the composers and compositions
performed, the musicians managed to convey to students this sense of
friendship and devotion to their profession. But playing and talking about the
compositions are never enough when one plays in school. The listeners'
questions - this is what makes a lecture become a conversation.
The musicians answered the questions intelligibly (although sometimes
simplistically), catching but without pushing, emotionally charged but never
sentimental. The students responded to such openness with attentive listening
and sincerity in questions.
The Trio's visit to the school ended with a workshop where the advanced music
students who belong to The Modern Music Masters, the international honor
society, played the first movement of Mozart's Clarinet Quartet (K.581) . The
talk became serious and professional: about balance, phrasing, structure and
timbre. All this, with mutual trust and understanding.
For students, to play for professional musicians is always a tremendous
inspiration. It adds a positive tension, an edge to their performance. The
students' playing was quite accomplished, especially that of clarinetist
Katherine Seveer, a Juilliard pre-college student, who impressed the visitors
with the natural phrasing, mature technique and breathing of her playing.
As with any language, you need to speak musical language to understand music.
With the help of enthusiastic teachers, the students of Fairfield High School
without a doubt speak it.
