Date: Fri 24-Jan-1997
Date: Fri 24-Jan-1997
Publication: Bee
Author: SHANNO
Illustration: C
Location: A12
Quick Words:
WSO-Discovery-Bjaland-concert
Full Text:
(rev WSO Discovery Concert, final of 1996-97 season, 1/24/97)
Concert Review-
Mahler's Magical Music, Re-Discovered
(with photo)
BY SHANNON HICKS
WATERBURY - When Maestro Leif Bjaland wrote his welcome message for the
Waterbury Symphony Orchestra's 1996-97 program, he concluded with the words
"It is my pleasure to welcome you to this season of discovery and community in
great music."
The maestro has been leading the WSO as conductor and music director for three
years. Part of the "discovery" Bjaland has always offered is the Discovery
Concert Series, a number of programs held on occasional Sunday afternoons when
the WSO welcomes classic music lovers of all ages to pass an hour during an
informal, educational and entertaining program.
Maestro Bjaland's idea, the Discovery concerts were an immediate success due
largely in part to the music director's easy rapport with the audience, and
his charismatic way of explaining any piece of music so the most
musically-uneducated would understand it, while the educated appreciates even
more so what they hear.
Last Sunday, Maestro Bjaland and the WSO welcomed an audience to the Fine Arts
Center at Naugatuck Valley Community-Technical College for the final Discovery
concert of the 1996-97 season.
The January 19 concert, "The Magic World of Mahler," had the WSO and its
conductor illustrating the different sounds of nature - animals, fountains,
storms, wind - composers such as Vivaldi and Beethoven were able to capture in
their compositions. The orchestra performed snippets of music, while Maestro
Bjaland would explain what was being heard.
The discussion led to the composer of the afternoon, Gustav Mahler, who
Maestro Bjaland described as a "great intellect, a brilliant man" and "a man
divided in half" - Mahler was both composer and conductor, a rarity in his day
- which explains a lot about the composer's music.
As Maestro Bjaland also explained, with Mahler's music, listeners were never
treated to subjects just happy or sad.
"It's either very, very happy, or inconsolably sad," he said. Mahler himself
has been described as being either childlike and happy or tragically sad in
person, sort of a your musical manic-depressive, although the Maestro did not
go that far.
To demonstrate each of his statements, the conductor had members of the WSO
perform from Mahler's Resurrection Symphony .
