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Date: Fri 24-Jan-1997

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Date: Fri 24-Jan-1997

Publication: Bee

Author: SHANNO

Illustration: C

Location: A12

Quick Words:

WSO-Discovery-Bjaland-concert

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(rev WSO Discovery Concert, final of 1996-97 season, 1/24/97)

Concert Review-

Mahler's Magical Music, Re-Discovered

(with photo)

BY SHANNON HICKS

WATERBURY - When Maestro Leif Bjaland wrote his welcome message for the

Waterbury Symphony Orchestra's 1996-97 program, he concluded with the words

"It is my pleasure to welcome you to this season of discovery and community in

great music."

The maestro has been leading the WSO as conductor and music director for three

years. Part of the "discovery" Bjaland has always offered is the Discovery

Concert Series, a number of programs held on occasional Sunday afternoons when

the WSO welcomes classic music lovers of all ages to pass an hour during an

informal, educational and entertaining program.

Maestro Bjaland's idea, the Discovery concerts were an immediate success due

largely in part to the music director's easy rapport with the audience, and

his charismatic way of explaining any piece of music so the most

musically-uneducated would understand it, while the educated appreciates even

more so what they hear.

Last Sunday, Maestro Bjaland and the WSO welcomed an audience to the Fine Arts

Center at Naugatuck Valley Community-Technical College for the final Discovery

concert of the 1996-97 season.

The January 19 concert, "The Magic World of Mahler," had the WSO and its

conductor illustrating the different sounds of nature - animals, fountains,

storms, wind - composers such as Vivaldi and Beethoven were able to capture in

their compositions. The orchestra performed snippets of music, while Maestro

Bjaland would explain what was being heard.

The discussion led to the composer of the afternoon, Gustav Mahler, who

Maestro Bjaland described as a "great intellect, a brilliant man" and "a man

divided in half" - Mahler was both composer and conductor, a rarity in his day

- which explains a lot about the composer's music.

As Maestro Bjaland also explained, with Mahler's music, listeners were never

treated to subjects just happy or sad.

"It's either very, very happy, or inconsolably sad," he said. Mahler himself

has been described as being either childlike and happy or tragically sad in

person, sort of a your musical manic-depressive, although the Maestro did not

go that far.

To demonstrate each of his statements, the conductor had members of the WSO

perform from Mahler's Resurrection Symphony .

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