Date: Fri 17-Apr-1998
Date: Fri 17-Apr-1998
Publication: Bee
Author: SHANNO
Quick Words:
Poetry-Connellan-Angelou
Full Text:
Poetry: Read It, Watch It, Listen to It and Enjoy It w/ book covers &
dropquote
By Joanne Greco Rochman
Ask people who their favorite poets are and they're as likely to mention Emily
Dickinson, now considered one of America's greatest poets as well as one of
the world's greatest women poets, as they are likely to mention contemporary
poet Maya Angelou, who read her poem "On the Pulse of Morning" at the first
inauguration of William Jefferson Clinton. Ms Angelou has immediate name
recognition as a "poet." That's quite an accomplishment these days, since most
people consider poetry out of the mainstream and associate it with a small
elite group of intellectuals.
Do we attribute Ms Angelou's recognition factor to the teachers who teach
contemporary poetry, the publicity-oriented publishers, or is it possible
poetry is reaching people through today's high-tech? Most likely, it's a
combination of all of the above. Although Angelou is included in The Norton
Anthology of Literature By Women and included in the university canon, it is
more likely the masses know her through her numerous prime-time television
appearances and her very public "intimate" chats with Oprah Winfrey.
Not An Elite Little Group
We celebrate poets past and present this month more than any other time of
year because April is National Poetry Month. According to the Academy of
American Poets, the April designation was inaugurated in 1996. At that time,
the Academy encouraged publishers, booksellers, literary organizations,
libraries, educators and poets around the country to "celebrate poetry and its
vital place in American culture." Since then, sales of poetry books have
increased 25 to 35 percent at independent and chain stores across the country,
and teachers and librarians report an increased interest in poetry among both
children and adults.
With statistics and findings like that, there is no doubt people are
definitely reading poetry. Active participation in regional poetry slams,
standing-room-only coffee houses, open mikes for local poets, and hands-on
workshops at area universities are also making poetry very accessible. So are
compact discs, videos and on-line Web sites.
The 1998 Spring Release Book List, which came out this winter, listed more
than 200 books of poetry scheduled for spring publication. Many of the major
publishing houses are on that list. They feature classic as well as
contemporary poets. Carl Sandburg, Gertrude Stein, Pablo Neruda, Robert Bly
and Karl Shapiro are just a few included on that list.
When the National Book Critics Circle announced its 1997 Awards Nominees for
Poetry, they included poets of diverse nationalities including Brenda Hillman
(Wesleyan) for Loose Sugar ; Mark Jarman (Story Line) for Questions for
Ecclesiastes ; Sonia Sanchez (Beacon) for does Your House have Lions? ;
Charles Wright (Farrar, Straus & Giroux) for Black Zodiac ; and Frank Bidart
(Farrar, Straus & Giroux) for Desire . Not only is poetry being read, but it's
being read by a wide and diverse audience. It is not limited to an elite
little group.
However, books and awards aren't the only vehicles for endearing poets to
readers. Poetry keeps popping up in the most unexpected places these days.
Recently, Hartford Stage, a prominent regional theater, presented Love,
Langston , a play that put the poems of African-American Langston Hughes in a
staged spotlight. Audiences loved it.
Sonia Sanchez, a poet, activist and scholar, is not only publishing, but
getting closer to her audience via film and recordings. Her poetry can be seen
in the movie lovejones , read in Vibe magazine, and heard on rapper D
Knowledge's CD.
Visual interpretations of poetry are not limited to a quick spotlight on an
excerpt. James J. Docker, the president of Wolfe Tone Productions in
Kensington, just wrapped the final scene of a short movie, Lobster Claw , a
poem in its entirety by Connecticut State Poet Laureate Leo Connellan. The
film will bring the poem, verbatim, directly into classrooms and homes via
video cassette.
"The poem is such a masterpiece and lends itself so well to drama that I
couldn't resist filming it," said Mr Docker, who expects educational
distribution to the middle and high schools to be as active as commercial
distribution especially among the specialty, focus and poetry groups.
Leo Connellan, who was recommended last year by Senator Chris Dodd for the
position of Poet Laureate of the country, has published 12 books of poetry. No
ivory tower or distant poet, his moving and imaginative lines come so close to
the heart of the American people readers can feel the life pulse in his
rhythmic, fast flowing verses.
He travels throughout the state of Connecticut as a visiting poet to area
schools, including Newtown, and as a poetry workshop facilitator. He is
poet-in-residence of the Connecticut State University and has had his poetry
recorded by the Library of Congress. He is quick to quote the classics and
ready to take on the new millennium.
Whether he writes about the past or looks into the future, whether he
publishes in print or dramatizes on screen, he does so with a poet's eye and
the voice of humanity.
We're slipping out of a century.
The flame is low but the spark lives
at the end of centuries, even though
the last educated man has walked off the
university, where will he go but come back
when another century begun, slaps its excuses,
breathes deep, sparks afire. Tomorrow is not
yesterdays' tomorrows, wagons become autos,
arrows, guns, dying heart attacks quadruple
bypasses. Tomorrow buildings will dance along
with earthquakes, not crumble...
from "And We're Slipping Into
Another Century," published in
Volume XIX, No. 2, Fall 1997
of The Connecticut Review .
If Mr Connellan's buildings of tomorrow are going to dance with earthquakes,
you can bet the songs they'll be dancing to will be his poetry sung via the
Internet. Young and old alike are surfing the net today and enrolling in
poetry workshops in record numbers.
"In the midst of all the commercialism, poetry stays pure," said Nicholas
Rinaldi, a poet, novelist and professor at Fairfield University. "It stays
close to the bone.
"At Fairfield University we have swarms of people writing poetry. It's
surprising that they're coming to school to get their union cards for their
jobs and yet they're moving into poetry and theater."
Perhaps the double interest has a powerful commonality.
Plato said that when it comes to poets, God takes possession of their minds,
and speaks through them. Now their voices can actually be heard online at
www.poets.org. Sponsored by the Academy of American Poets, this web site
features the latest in poetry awards, programs, exhibits and calendars. Poetry
aficionados will want to visit the "Listening Booth," where audio clips of
poems are featured from the Academy's audiotape archive, or check out the
activities, auctions and discussion forums.
It's a very impressive web site that not only fills visitors in on the latest
information and trends, but also affords poets anywhere and everywhere the
opportunity to share their poems, find a poem, poet or book, or get involved
in a lively poetry discussion.
In addition to spreading poetry via bookstores and computers, the American
Poetry and Literacy (APL) Project and the Academy of American Poets have
teamed up to sponsor the Great APLseed Giveaway. Throughout the month of
April, Andrew Carroll, executive director of the APL Project, is driving
around the country in a Ryder Moving Service truck from New York to San
Francisco, stopping in large cities and small towns to give away 100,000 books
of poetry. Mr Carroll's coast-to-coast quest includes stops at supermarkets,
prisons, schools, hotels, truck stops, jury waiting rooms, zoos and other
unlikely poetry stops.