Date: Fri 23-Apr-1999
Date: Fri 23-Apr-1999
Publication: Bee
Author: SHANNO
Quick Words:
Galotta-Breakfast-Melting
Full Text:
A Makeover For A Feature Film That Defined A Generation
(with photos)
BY SHANNON HICKS
Sixteen years ago, the Wunderkind Director of Eighties Teen Films -- John
Hughes -- released a movie called The Breakfast Club . It starred a group of
teens who had been dubbed "The Brat Pack," including Ally Sheedy, Judd Nelson,
Emilio Estevez, Molly Ringwald and Anthony Michael Hall.
On the surface the movie was simply about an all-Saturday detention at a high
school where students of very diverse backgrounds -- A Basket Case, A
Criminal, A Jock, A Princess, and A Brain -- were forced to spend several
hours of their life together.
During the two-hour film, viewers would learn why each student had been
sentenced to the detention. There would be some rebellions against the teacher
who was in charge of the detention; there would be more than a few
confrontations between the students; and before the end of the afternoon,
there would be a temporary understanding between the students of each others'
backgrounds.
The film was set in the mid-Eighties and the students spoke very frankly of
their home and social lives. At first appearance, the film is a dark comedy
about teen life. A closer look reveals a film that is really about society and
real life for teens everywhere. The theme of the movie continues to ring true
today.
Brett Galotta understood this underlying theme of The Breakfast Club when it
was suggested the movie be used as a full-length play by the student theatre
group The Melting Pot Players. The Players is comprised of students who attend
high schools in the greater Danbury area. The sponsoring organization for
Melting Pot Players is Danbury Youth Services.
The group meets weekly at St James Church in Danbury, and its mission is to
present skits in various schools that tackle such topics as AIDS, abuse, peer
pressure, drugs, and anything else that plagues teens during some of the
toughest years of their lives.
Last fall, when Ms Galotta took over as the new director of Melting Pot
Players, she decided she wanted the group to present a full-length play in
addition to its skits. Suggestions for which play would be performed was open
to everyone in the group, and one of the very first proposals that came up was
The Breakfast Club . The result of months of work will finally be presented
next weekend, when the Melting Pot Players present a staged version of The
Breakfast Club at St James Church in Danbury.
Ms Galotta, a Newtown resident on a semester-long break from her studies to
become an actress, is in the final stages of preparing The Breakfast Club . So
is the cast and crew of the production, which includes students from Bethel,
Brookfield, Danbury and Abbott Tech (Danbury) high schools.
Ms Galotta moved with her parents into Newtown while in the seventh grade. She
has been bound for the stage from the age of seven, when she began "signing up
for anything my Mom would let me take," she told The Newtown Bee in 1995. A
1997 graduate of Connecticut Conservatory, a private performing arts school in
New Milford, Ms Galotta's ultimate goal is to be acting on Broadway.
She has spent one year in the drama studies program at SUNY/Purchase, and
another semester studying opera at Western Connecticut State University in
Danbury. Next year she will return to school, this time to The American
Academy of Dramatic Arts in Manhattan.
She has appeared in a number of local theatre productions, and also served as
a production assistant a few times for the Newtown theatre company Town
Players. Right now she is working her way through her directing period.
"I have to leave this behind for a little while [when I return to school]," Ms
Galotta said recently. "It's really hard sometimes. Like many other things, it
can be a real love-hate relationship."
Because there is not yet an official theatrical version of John Hughes' film,
Ms Galotta had to contact Hollywood for a copy of the film's script. Long
before the play could be cast and rehearsals could begin, Ms Galotta had to
adapt the script into a theatrical production.
"Brett did a really good job, with the students' help, on the re-writing of
the movie," said sound technician Pete Romano. A classmate and production
major at SUNY/Purchase, Mr Romano is visiting from New Jersey to handle sound
cues and pre-recording for voiceovers that will be used during next weekend's
performances.
"She worked with them a lot, especially when they had to drop or change some
scenes. It's very much a group effort. She didn't want to be like the warden
of the play."
The Players
Students have joined Melting Pot Players in a variety of ways. Some have been
encouraged by friends, while others have been recruited by Ms Galotta or
previous directors.
Six members of the Melting Pot Players will be appearing on the stage during
The Breakfast Club , with another dozen Players serving in behind-the-scenes
roles of everything from production designer and stage manager to assistant
director.
There have been rough spots along the way. The cast was working feverishly
last weekend to create a statue that would be part of the stage set and a
pivotal piece of scenery in one particular scene. There have been a few people
who have not shown up for too many rehearsals, leaving very few understudies
for the roles, none of which are minor.
"One of our Allisons never showed up," said Robb Bunting, who plays Brian (aka
The Brain). "We've had a few problems, but we know what we have to do."
"Melting Pot is supposed to be a fairly improvisational group, so this will be
OK," added Shazde Omari, who is now playing Allison in all performances.
"It's not difficult on my lines, though," she laughed. Allison is the student
who is "the freaky girl," as her portrayer describes her. "She doesn't speak
much, so that's kind of cool. I'll just take it as it comes."
Newtown attorney Carl Back has the one adult role of the play, that of Mr
Vernon, who is the faculty member in charge of the detention.
While the group is used to performing in front of their peers, they are not
used to having a full script to learn from. That has been another problem
plaguing the pre-production.
"No one has done something from a written script before," Ms Galotta said last
weekend. "It's been difficult for them, learning all their lines."
Another difficulty has been that the cast has seen the movie version, some of
them quite a few times, so the actors are trying to re-create what they have
seen on film already.
"That's not the point," Ms Galotta insists. "I want this to be a staged
production." Fortunately, with a different staging than what was used in the
film version and a lot of voice-overs to be used in the theatre, the actors
are beginning to create their own body of work.
"I think they've gotten beyond [the movie]," the director said. Even with the
problems that have come up, the director is confident in the cast that has
been selected. She feels the casting of the actors into each role could not
have gone better. The actors are "absolutely perfect" for the roles they are
playing, she said.
"I've seen them perform before. They pull together remarkably. So I'm not
worried if we have a bad rehearsal. I know they'll be fine during the show.
They've worked hard. The ones who have stuck through, they're encouraged and
they want to be there for those final bows on the stage."
The decision to go with The Breakfast Club feels absolutely perfect to the
director and the cast.
"With the theme of this group, and the movie -- youth rebelling against
authority, but with reasons that become clear during the story's telling --
this play is perfect," says Ms Galotta.
"The [characters] in this play are brats, every single one of them in their
own way," she continued. "But they all have such great stories. You see why
they rebel the way they do and their problems with authority.
"The stories behind these characters are so good. It's what most of these kids
are living or at least seeing, probably."
The Melting Pot Players will present The Breakfast Club Friday, April 30, and
Saturday, May 1, at St James Church, 25 West Street in Danbury. Curtain is 8
pm each night. Tickets are $6 for adults, $4 students and seniors. Due to some
rough language, the play may not be suitable for children age 12 and under.
For details or reservations, call 748-2936.
