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Date: Fri 08-Mar-1996

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Date: Fri 08-Mar-1996

Publication: Bee

Author: SHANNO

Illustration: C

Location: A-10

Quick Words:

Playing-Father-Bride-Martin

Full Text:

(rev "Father of the Bride Part II" for Now Playing, 3/8/96)

`Father II' Way Too Mushy!

By Trey Paul Alexander III

You can be assured Father of the Bride Part II is not striving for road

scholar status when its pedigree marks it as the sequel of a film which itself

was a remake of a 1950 flick which also featured a follow-up, on which this

movie is loosely based. Did you grasp all that?

Father of the Bride Part II (FOB II) was first shipped during the holiday

season as a feel-good comedy sure to leave all patrons exiting the moviehouse

with a smile. This reviewer is one of the last people to scold a motion

picture for bearing its heart on its sleeve, but this movie's gushing

sentimentality and overt predictability will not be excused, no matter how

well-intentioned.

Such a harsh assessment of this film begs the wrath of a number of folks who

have exclaimed how much they enjoyed the picture (I'll say! It proved to be

one of the winter's top box office successes, garnering over $70 million in

ticket sales). Begrudgingly, one can concede FOB II is not a complete waste of

time; yet it would be unfair and overgenerous to declare it an artistic

success.

Father of the Bride (the 1991 version) was a light, bouncy and delightful take

on the 1950, Spencer Tracy-Elizabeth Taylor original. Steve Martin, as the

sheltering father who could not bear to see daddy's little girl (Kimberly

Williams) get married, was surprisingly restrained and touching as he wrestled

with his emotions about giving his daughter away. Martin was also reliably

funny when it came time for the misadventures of wedding ceremony planning,

but the true hilarity was left to Martin Short, a riot as Franck, a flaky

wedding coordinator who spoke in an incomprehensible dialect.

For FOB II , George Banks (Martin) is back, and the poor guy is once again a

nervous wreck, this time due to the distressing news that daughter Annie

(Williams) is pregnant. How can this be?! He had just gotten used to the fact

she is a married woman... and now this! The dreadful thought of little tykes

grinning the "g-word" sends George spinning into a mid-life crisis.

Although Martin makes the most of the material, the audience will be one step

ahead of the script the whole way. When George's dilemma is exacerbated after

his wife Nina (Diane Keaton) delivers some astounding news, you will no doubt

guess the direction of this whole enterprise.

The problem with FOB II is not with the performances, but in the producers'

lack of ingenuity. Martin's effort is no less energetic than in the first

film, but it covers the exact same tracks and therefore renders this picture

stale and uninteresting. Plus, this installment piles on the schmaltz,

including a cloying subplot in which George and Nina may be forced to part

with the beloved family home (oh horror of horrors!).

Even when Franck makes an appearance, his comic presence is dulled by the

writers' sole dependency on Short's crazy characterization without much

substantive material to buoy his genius.

However, the film does have intermittent moments within which it attempts to

capitalize on some inventive scenarios involving its likable cast. One of the

best is an extended sequence in which Franck attempts to assist George and

company when Annie goes into labor and they must rush her to the hospital.

Martin and Short are at their best here, and for once during the film's 106

minutes, they are provided with worthwhile, screwball stuff.

Father of the Bride II is rated PG for scattered sexual references and some

mild profanity. In terms of content, it may be suitable family viewing, but

its caliber is not of a genuine high grade.

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