Date: Fri 30-Oct-1998
Date: Fri 30-Oct-1998
Publication: Bee
Author: SHIRLE
Quick Words:
Philemon-theatre-Sherman
Full Text:
(rev "Philemon" @Sherman Players)
THEATRE REVIEW: A Short, Enjoyable History Lesson
(with cut)
By Julie Stern
SHERMAN -- "Try to remember..." a time when the Tom Jones/Harvey Schmidt
musical The Fantasticks wasn't running somewhere Off Broadway in New York
City. Now director Jocelyn Beard has taken on the challenge of staging a much
more rarely performed work by the same pair at the Sherman Playhouse:
Philemon.
Vastly different from Fantasticks, this show has more in common with works
like Godspell or Jesus Christ Superstar, the Sixties rock operas that used
contemporary music to update a passion play.
Set in the Roman city of Antioch in 287 AD at a time when Christians were
being persecuted as revolutionaries, Philemon , based on an actual historical
incident, deals with a third-rate actor-clown who agrees to work as a spy for
the local garrison commander by impersonating a charismatic Christian leader.
Cockian, the corrupt and totally amoral protagonist, is put into prison where
he pretends to be Philemon, the heroic Christian hero whom people in Antioch
have only heard about, but never met. The idea is he will make friends with
the other prisoners and get them to reveal the secret codes and chain of
command that holds the Christian underground together.
In exchange for doing this, Cockian will be given safe passage back to Rome,
and enough money to set him up in his own theater.
Perhaps you can guess the outcome.
There is a wealth of talent in the cast, both in the acting and singing. Peter
Frost as Cockian is bit reminiscent of Michael Douglas, in looks as well as
diction, and plays his part like the son of Spartacus should.
Steve Faiella is excellent as the jaded and cynical Marcus, the garrison
commander who hates being out in the stocks and needs to suppress this
Christian rebellion in order to earn a promotion. Catherine Moles as Cockian's
partner, and Heather McNeil as the vision of his long dead wife, also do a
fine job, as does the rest of the cast, all of whom are on stage all the time,
serving as a sort of classical chorus.
Jocelyn Beard's direction is faultless as well. The only problem I had was
with the music itself. I think that is what made the Fantasticks truly
memorable. Unfortunately, the score of Philemon is somewhat less than
inspired.
However, if you really like Godspell and Superstar you might enjoy this.
Certainly it makes for an interesting history lesson, and happily it isn't too
long.
(Performances continue at the Sherman Playhouse through November 7. Call
354-3622 for details.)
