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Date: Mon 26-Jun-1995

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Date: Mon 26-Jun-1995

Publication: Bee

Author: JUDIR

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CHRISTIES EXECUTIVE APPOINTMENT TO INCLUDE NEW COMMERCIAL DIRECTOR

NEW YORK CITY -- Christie's International plc, the world's oldest fine arts

auctioneer, has announced that David Tyler, currently president of Christie's

Inc (the company's subsidiary in North and South America) and group finance

director of Christie's International plc will become group commercial and

financial director of Christie's International plc in London, effective

January 1, 1996.

Patricia G. Hambrecht, currently general counsel of Christie's Inc, will be

appointed managing director on September 1, assuming Mr Tyler's

responsibilities at Christie's Inc by the end of the Fall. Linda F. Pinkerton,

who will join the company on July 7, has been named senior vice president and

general counsel of Christie's Inc, and will take over Ms Hambrecht's

responsibilities.

As managing director, Ms Hambrecht will be responsible for running Christie's

day-to-day business operations in North and South America. Ms Hambrecht will

report both to Christopher Davidge, group chief executive of Christie's's

International plc, and Christopher Burge, chairman of Christie's Inc.

As general counsel, Ms Pinkerton will direct the company's legal affairs and

will report to Ms Hembrecht.

In his new role, My Tyler will continue to oversee the financial affairs of

Christie's International plc and its subsidiaries, and will play a leading

role in commercial and strategic matters. In addition, he will take direct

responsibility for the company's growing non-auction businesses, which include

Spink & Son Ltd, Christie's Education Ltd, Christie's Fine Art Security

Service Ltd, Christie's Images Ltd, C.I. Property & Investments Ltd, and

Christie's Great Estates, Inc. Mr Tyler will report directly to Christopher

Davidge.

NATIONAL GALLERY ACQUIRES IMPORTANT DUBUFFET WORKS FROM HAHN FAMILY

WASHINGTON, D.C. -- The National Gallery of Art has just received a partial

and promised gift from the Stephen Hahn family collection of 20 oil paintings,

11 works on paper, and one sculpture by the preeminent French artist Jean

Dubuffet (1901-1985), as announced by Earl A. Powell III, gallery director.

Dating from 1943 to 1962, the works are among Dubuffet's most original and

celebrated pieces. Many of them will be installed in the East Building upper

level galleries beginning September 17.

According to Mark Rosenthal, curator of Twentieth Century art, "The Hahn

collection represents examples of Dubuffet's most important innovations during

his crucial period, when he began to challenge the tradition of aesthetic

beauty."

The gift includes the painting "Grande traite solitaire" (1943), a major

example of Dubuffet's style just prior to the development of l'art brut.

Another work, "Facades d'immeubles," is the largest of the three facade

pictures that Dubuffet painted in 1946.

Several works from 1946 and 1947 belong to Dubuffet's celebrated portrait

series devoted to members of the artist's intellectual circle, including the

writers Georges Limbour and Rene Bertele. The painting "Corps de dame jaspe"

(1950) is a superb example from Dubuffet's group of renowned images of the

female nude. Another major work painted in the same year is "Le temps presse"

that he adapted directly from the walls of the Paris street.

The acquisition also includes a prominent example of Dubuffet's "Pierres

Philosophiques," or "Philosopher's Stones," two significant images from a

series of cows, in which the animal is transformed into what Dubuffet called a

"grotesque puppet."

Other key works are "Jardin de Bibi Trompette" (1955), a small work composed

of butterfly wings, marking the beginning of the artist's interest in collage,

and "L'amphigourique" (1954), a sculpture made of slag.

The works on paper include Paris street scenes dating from 1961-1962, freshly

illuminated by a gaudy palette, filled with small shorthand figures and

inscribed with advertising logos and urban slang. These pictures mark a new

phase and punctuate the progress of the artist's preceding 15 years

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